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Domesticated futures and monster aesthetics

So far, design has contributed mostly to domesticate futures for the colonized. Nevertheless, design can also serve decolonizing practices that bring back the contradictory nature of human futures. The domestication of the future is a colonialist strategy that reduces existential time to a desirable space of possibilities that can be designed, packaged, and sold to underdeveloped nations as docile (design) products or as docile (design) services. Monster aesthetics is a reaction to this strategy that sets free domesticated futures by expressing otherness and dissensus. This talk features selected projects from the designing for liberation research program conducted in Brazil.

Video

Audio

This keynote talk was recorded at Decolonising Futures in Design Education organized by Elisava and other partners from the FUEL4DESIGN research project.

Slides

References

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Freire, Paulo. Pedagogy of the Oppressed. New York: Continuum, 2005.

Gonzatto, R. F., van Amstel, F. M., Merkle, L. E., & Hartmann, T. (2013). The ideology of the future in design fictions. Digital creativity, 24(1), 36-45.

Van Amstel, Frederick M.C and Gonzatto, Rodrigo Freese. (in press) Existential time and historicity interaction design. Human-Computer Interaction.

Van Amstel, Frederick M.C and Gonzatto, Rodrigo Freese. (2020) The Anthropophagic Studio: Towards a Critical Pedagogy for Interaction Design. Digital Creativity, 31(4), p. 259-283.

Angelon, Rafaela; Van Amstel, Frederick M.C. (in press) Monster aesthetics in a decolonizing design experiment. Art, Design & Communication in Higher Education.

Hobbes, Thomas. Leviathan, 1651.

Camenietzki, C. Z., & Zeron, C. A. D. M. R. (2000). Quem conta um conto aumenta um ponto: o mito do Ipupiara, a natureza Americana e as narrativas da colonização do Brasil. Revista de Indias, 60(218), 111-134.

Angelon, Rafaela; Van Amstel, Frederick M.C. (2020). The political body as a fulcrum for radical imagination in metadesign. In: Proceedings of the III Design Culture Symposium, Unisinos, Porto Alegre, Brasil.

Boal, A. (2009). A estética do oprimido (pp. 1-256). Rio de Janeiro: Garamond.

Categories: Talks & Lectures.

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